I think it's sort of the hypothetical point where communism and fascism meet. They love tragedy, and they love surface beauty. You just watch it play out over and over in the media. It was the English edition of Glamour who were looking for stories of Iraqi war widows, but specified that they had to be attractive.

Jeff Bridges says that the reason he's one of the few stars in Hollywood whose made his marriage last for decades is that every time they think there's no more doors left to walk through in the room, they just keep looking and keep looking until they find one.

Are you mine?” Yes. “Are you mine?” Yes. “Are you mine?” No. “No?” No. I loved being yours. But now I’m mine, which is all I ever was, in the end.

It took a long time, but my heart now feels full when I think of him. When you fall in love again—which I have—it's funny the other things that come back in with that open-ness. You have this ghost chorus of the lovers who came before, but they're benign now, they're good spirits.

What people don't understand when you've already been a suicide and pulled through is that after the sadness comes fear: Where is my mind going with this? I don't want to die. I do not want to die. When you don't have so much control over your own thoughts, over the myriad voices in your head, you don't know where they could go.

My thoughts are messy, my emotions are messy, my body goes in and out at will. The raised white scars on my arms and legs are the only aspect of my being that comes close to minimalism. They came from chaos, but it is hard to carve frustration and unease into the flesh. Only straight lines.

I'm not crazy or dangerous, just a bit eccentric and lonely.