Those people that have hardened to rejection or hardened to life in general, it's pretty hard to feel them. You know, to look at their eyes on screen and feel them. I guess that's specifically talking about actors, but I think that's probably [true] in general. You want to keep your skin thin.

If you mess up the performance on stage, you do it again the next night. You're like alright, you let yourself off the hook, and you've got to go back in there. Whereas, with a film, I would go home and be like, "Well, I've ruined the arc of the character forever. That scene is never going to work. I know because I can never shoot it again." So, it's all miserable, but in different ways.

I think a lot of people compare their insides to other people’s outsides.

There are some things that have to wait and that can't just happen right now.

I like to look like a person. It drives me crazy when you see women in movies playing teachers, and they have biceps. It totally takes me out of the movie. I start thinking, Wow, that actress playing this part really looks great!

I've been looking at that in myself lately. Often, joking for me is a way of diffusing the awkwardness of a situation, so it's kind of exhilarating to be a part of projects where there's nothing funny or lighthearted.

There is something to the fact that when you're on stage or when you're playing someone else, you're able to transmute all the things inside you that maybe get a bit blocked by the wall of shyness, or the wall of anxiety, or [by] overthinking. They sort of fall away in that moment and channeled into something else.