I can't think of any better representation of beauty than someone who is unafraid to be herself.

If you mess up the performance on stage, you do it again the next night. You're like alright, you let yourself off the hook, and you've got to go back in there. Whereas, with a film, I would go home and be like, "Well, I've ruined the arc of the character forever. That scene is never going to work. I know because I can never shoot it again." So, it's all miserable, but in different ways.

I literally have no idea what's to come. I try to just stay in the moment.

For me, the political part of being an actor is very tough. To sit somewhere and tell somebody why you should feel this way or that way about my character does not feel like my responsibility. It feels like the responsibility of the writer and the person who created it.

I think Skeeter even says that when she calls up Miss Stein. "No one asked Mammy how she feels in Gone With The Wind." Mammy wasn't really much of a fleshed-out character. She was just kind of there to take care of Miss Scarlett.

I think I was drawn to comedy originally because when I was really young, by the time I was eight I had seen movies like The Jerk, Animal House, and Planes, Trains & Automobiles with my dad, and I knew them by heart. I loved them and my dad loved them, and we would laugh together, and I would think, 'This is love.' I just wanted to make people feel like that.

Drama is hard for me. Crying is much harder for me than laughter.