You usually get a script and you tell people what the story's about, and they have no idea what's going on. Whereas with an adaptation, you come into it, and it seems like everyone you talk to has a million opinions on the cast and the way the story should be told.

I always thought it's way more important to be funny or to be honest than to look any certain way

I'm not a writer. I haven't written anything.

It's nice to find creative outlets on a daily basis.

Improv is what helped me overcome the anxiety that I was feeling sometimes. It's the thing that pushes me to be present, and to keep moving through all of the what-ifs that go through my mind.

I find more and more, as time goes on, these people I meet, they are starting to become these people I look up to more and more. Like Julianne Moore, also, on Crazy Stupid Love: kids, husband, priorities straight. Or Woody Harrelson's like that. Those are the people I really admire, and that's success to me: being able to balance that life and not buy into it. And do the work that you want to do and makes you happy, because you're lucky enough to do it. But if I never got a role again, I've got this incredible life.

I think I was drawn to comedy originally because when I was really young, by the time I was eight I had seen movies like The Jerk, Animal House, and Planes, Trains & Automobiles with my dad, and I knew them by heart. I loved them and my dad loved them, and we would laugh together, and I would think, 'This is love.' I just wanted to make people feel like that.