You can always tell when an actor has grown a 'rhino skin' to protect themselves. It comes across on screen, and they aren't believable. They're dead in the eyes because they've been told a million times that they're the greatest actor that ever lived. If you don't realise what's happening, and get your feet back on the ground, it can be the worst thing that ever happens to you.

My mom lost her dad at a very young age, and has this sort of belief system of, you know, "If there's something that you want to do, if there's something that means a lot to you, do it now."

When I feel something in my gut, I can feel it physically. But my instincts seem to come from a different place - they feel headier to me, and I get the wrong scent, and go off on these whims where I think that something is happening when it's not.

I find more and more, as time goes on, these people I meet, they are starting to become these people I look up to more and more. Like Julianne Moore, also, on Crazy Stupid Love: kids, husband, priorities straight. Or Woody Harrelson's like that. Those are the people I really admire, and that's success to me: being able to balance that life and not buy into it. And do the work that you want to do and makes you happy, because you're lucky enough to do it. But if I never got a role again, I've got this incredible life.

The only time I flip out is when I'm not prepared. If I'm caught off guard, I can't help it; I start gasping for air.

There is something to the fact that when you're on stage or when you're playing someone else, you're able to transmute all the things inside you that maybe get a bit blocked by the wall of shyness, or the wall of anxiety, or [by] overthinking. They sort of fall away in that moment and channeled into something else.

My favorite thing about movies is the ending and so all my favorite movies have really great endings.