If you mess up the performance on stage, you do it again the next night. You're like alright, you let yourself off the hook, and you've got to go back in there. Whereas, with a film, I would go home and be like, "Well, I've ruined the arc of the character forever. That scene is never going to work. I know because I can never shoot it again." So, it's all miserable, but in different ways.

That old question about whether, as a woman, you can be funny and attractive at the same time. Argh! I hate that question. Of course you can.

The people I look up to the most - politicians, actors, artists - are the people who manage to do a high-powered job while staying themselves. They aren't afraid to be nice.

You never know what even the bad situations will lead to, which I guess is true with anything in life.

Drama is hard for me. Crying is much harder for me than laughter.

Viola Davis keeps saying this movie should be called The Big Responsibility instead of The Help, because there were so many groups of people that you wanna do right by. You want to do right by Southerners and the African-American community and the readers of the book and the people that grew up with domestics and the people who worked as domestics. There's a million different groups that you're trying to please and satisfy that you're worried about not loving what comes across onscreen.

I moved to New York when I was almost 21 and I've lived there for almost eight years, now I have a totally different relationship to L.A. There's like all this space and it's so beautiful seeing all these different landscapes and all my friends are here so now I really like it so much but my adjustment period was a little like "What a strange town".