There's nothing interesting about looking perfect—you lose the point. You want what you're wearing to say something about you, about who you are.

When I haven't been working I've tried to travel a lot.

I've had so many moments where seeing other women be fully and truly and authentically themselves, and express that, has given me permission. Once you see it happening, you're like, "Oh, I have permission to do that, too."

For the first two movies, I had a huge crush on Tom Felton. He was my first crush. He totally knows. We talked about it - we still laugh about it. We are really good friends now, and that's cool.

I want to diversify a bit. I don't wanna throw myself into another big blockbuster or another big franchise anytime soon. So smaller films, just small little interesting parts, I think I'd even like to play around with some really good supporting roles and then develop into - I don't know just like feel my way into it a bit more. I don't know, I'd love to try some theater. That's my other thing. I'd love to do some Shakespeare.

I really never break the rules. I'm not scared to say what I think or if I really disagree with something then I'll say it, but I'm not kind of like a born rebel.

What I find difficult about photo shoots is the line between playing a character - you're being asked by the photographer to take on a role like you would in a movie - and being a fancier version of yourself. It's about finding that line between being spontaneous and open to direction, but also trying to explain to photographers that the "me" is often taken out of context because it has all of this other stuff attached to it.