Perhaps I am following in the footsteps of François Mitterrand, who really did want to shape Europe. My predecessors, by contrast, thought it was best to say nothing at all and to keep all their options open. That may sound like a tactical approach, but perhaps it was simply because they didn't have any ideas for Europe at all.

I am a strong believer that modern political life must rediscover a sense for symbolism. We need to develop a kind of political heroism. I don't mean that I want to play the hero. But we need to be amenable once again to creating grand narratives.

Michel Houllebecq is surely the novelist who best describes contemporary phobias and fears. He also succeeds perhaps like no other in portraying the postmodern character of our society. He addresses the possibilities of genetics at times, or Islamism, and infuses all of it with a certain amount of absurdity. I get a very strong sense of that in "Submission." The way he toys with the absurd makes him an author sui generis, one who stands out from the others.

I read each evening, at night and whenever possible during the day when I am traveling. I have always read.

There is something very powerful about German music. That's why I chose German music with a European meaning for the day of my election.

We have an extremely cordial relationship with Donald Trump. Sometimes, we have contradictory views but sometimes we agree. I won't stop working together with him.

It is my duty to say: Something has to change. I say that very directly, in clear words so that nobody can misunderstand me. And I believe in our new initiative for continuing education and vocational training. For French people who are socially disadvantaged, this means real recognition and support.