All important pictures embody something that we do not yet understand.

It might take us a lifetime to find out what it is we need to say. Most of us fall into where our feelings are headed while we're quite young. But the beauty of all this uncertainty would be that in the process of exhausting all the possibilities, we might actually stumble unconsciously into the recognition of something that's useful to us, that speaks to a deep need within ourselves. At the same time, I like to think that in order for any of us to really do anything new, we can't know exactly what it is we are doing.

I am pessimistic about a picture's power to be the emissary of just one thing. What I hope is that the picture says, "Here I am, this is what I am like," and the person seeing the picture says in return, 'You know a lot but you don't know half of what I know.'

The authentic thing is to follow your heart, your instincts, your emotions. If you located yourself in an idea, your life would be lived very sadly.

The challenge of photography is to show the thing photographed so that our feelings are awakened and hidden aspects are revealed to us

As a good picture would come, I would never know exactly what I had done. When you did see it, it would strike you as a great surprise - who did that? How did it happen? Being surprised by your own work makes you both less serious and have serious reverence.

The picture is like a prayer, an offering, and hopefully an opening through which to seek what we don't know, or already know and should take seriously.