All important pictures embody something that we do not yet understand.

What's great is that the picture is already taken before it goes public. It's in secret. The trust that develops from such a habit engenders risk, and you realise you're not as vulnerable as you thought. Once you become comfortable with being more truthful about who you are, the easier it is, the prouder you become. That's the way it unfolded for us.

Of course, this is one of the really important things about art, that you can make more than you can understand at the moment the thing is being made. But the gap between what we recognize inside ourselves - our feelings- and our ability to trust ourselves and to trust exposing ourselves to those ideas, can be great.

You’re always working at the margin of what you don’t understand, that’s the only exhilarating place to be. To just illustrate what you already know is condescending, and a waste of your time.

Photography is a tool for dealing with things everybody knows about but isn’t attending to. My photographs are intended to represent something you don’t see.

I feel that whatever picture an artist makes it is in part a picture of himself - a matter of identity.

It might take us a lifetime to find out what it is we need to say. Most of us fall into where our feelings are headed while we're quite young. But the beauty of all this uncertainty would be that in the process of exhausting all the possibilities, we might actually stumble unconsciously into the recognition of something that's useful to us, that speaks to a deep need within ourselves. At the same time, I like to think that in order for any of us to really do anything new, we can't know exactly what it is we are doing.