With social media and advertising and filters and FaceTune-ing it's hard to even to know what's real and what's not. So to see an image of a woman where you can actually see her face and her skin texture and she's still polished and beautiful or even glamorous with a nighttime look, but it still feels like a real person. I feel like that's the kind of beauty I want to applaud and align myself with.

We like it to be realistic but not real, but I wear something I call the 'vag pad,' it's kind of a little triangular panty liner that you stick to you.

I feel like I've come out of this grown up, maybe because I live through the character vicariously and she grows up so much during the course of this story.

I always wanted an older brother. That was my thing. My mom would be like, "What do you want for your birthday?" I'd be like, "I want an older brother."

In terms of the characters, I definitely do look for somebody that I think people can learn from and I can learn from too. In one way or another, by the fact that they are a role or by that fact that they aren't a role model. I feel like I was attracted to the past few characters that I've played, because they have an element that really touched my heart.

As an actor, and especially as a young woman, there's so much pressure to look good all the time and it really detracts from what our job really is about, which is portraying a different person.

I love the silhouettes of the '50s that were feminine and womanly without being too revealing. I've always gravitated towards that kind of sense of style and fashion.