Here we spent so much time together - eight months of our lives almost - and it was so great because we all got so close and that really made us not afraid to improve with each other.

My favorite episode is where the guy has a relationship with his car. An intimate and sexual and emotional relationship with his car.

Theater is such a different ballgame than film. And that's really why I stayed in film, because I really love the reality of connecting with your own feelings, and really putting that across in a realistic way. In film, the smallest muscular movements in your face, that are produced just by sheer feelings, you're not controlling them in anyway, can be seen by people in the audience because your face is sometimes, frighteningly, 40 feet wide!

Life can be very funny and very tragic. Everyone has stuff that they've been through that makes up whatever fire it is that they have in their gut, but nobody goes around wearing that as their outmost exterior, all the time.

I hope that I'm sexy in a different kind of way than I think that a lot of girls are right now. I think a lot of girls in the public eye, especially musical artists, are just kind of objectified a little bit and wearing super-skimpy outfits and leaving nothing to the imagination.

I've never had siblings, I didn't grow up in a big family; it was just me and my single mom. And hectic family dysfunction was actually something that I craved.

I'd say that my musical influences are anywhere from pop-rock electronica, new age and classical. But I think that specifically, bands - I love Jem, I love Sigur Ross, I love David Gray, I love Elliot Smith... a lot of different people. But I don't find lyrical inspiration from anybody.