I like René Descartes' theory about a ball of wax. You can change its form from solid to liquid, but it's still the same ball of wax. With acting, you are the same person in a different form. You can only be what you know, and you only truly know yourself.

Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'

I had classical training but I don't consider myself an opera singer though.

I'd say that my musical influences are anywhere from pop-rock electronica, new age and classical. But I think that specifically, bands - I love Jem, I love Sigur Ross, I love David Gray, I love Elliot Smith... a lot of different people. But I don't find lyrical inspiration from anybody.

I love music. I'd love to go on Broadway and do a musical there. I just like to kind of go with whatever's inspiring at the moment, and kind of follow that as far as I can.

When I was in school, I got there on the first day and everyone had long, blonde, straight hair, and I had short, dark, curly hair. I immediately felt I didn't fit in and started growing my hair. But I've learned that I'm only happy when I am truly me and feel comfortable and confident in myself.

I suppose that it doesn't matter whether a song is written or sung by a man or a woman. If the sentiment is there, it captures the audience.