The biggest compliment to me is being able to dress so many different women from so many different backgrounds.

My first introduction to fashion probably came through television: I was obsessed with Elsa Klensch, who used to cover fashion for CNN.

I don't know if I've ever had a muse per se. I would say that the woman I'm inspired by exists more in my sketchbooks. She exists in my head.

I love when people wear flowers in their own way, like when I see someone wearing a floral dress with brogues and a jacket. It's incongruous.

The biggest compliment to me is being able to dress so many different women from so many different backgrounds.

I loved cinema from a very young age. I was also obsessed with Hitchcock and actresses like Kim Novak in Vertigo. They all played heroines and were strong, powerful women, yet they were very feminine.

I've always been intrigued by things that insinuate femininity, so in my designs, something like a flower is never about the fact that it's a flower. It's more about what that repetitive motif implies.