Unless you're a directing producer of a television show, for the most part, the director comes in one week to direct and episode, and then leaves. I'd much rather produce television and occasionally direct an episode of a show I'm producing, then just come in as an outside director.

I've had the experience of seeing what makes life easier for an actor and for the crew, and what makes it feel bogged down and challenging. We're all really fortunate that we get to make our living as artists.

I would really like to focus on directing features, and then eventually take that skill set back to television. On features, you have more control. On television, the producers are the creative forces behind it. Directors come and go on television.

As an actor, I've always paid attention on sets. I've always watched, learned and listened, and you start to see things differently. You always leave yourself an out.

One of the greatest things I've learned, as an actor, was how to talk to actors.

The stories that I like to tell and the movies I like are always grounded in the emotional arc of the characters.

Having been an actor, I always want to leave room for the actors to find their comfort zone, so I don't like to be too rigid in how I plan my shots. It's different if you have weeks to rehearse and you can rehearse on your sets or in your locations and you can plan that out with your actors, but in modern independent filmmaking, you don't really have that time. You have to have a certain level of improvisation.