I'm always one time zone behind myself.

Over my lifetime, the car had actually transcended the fact that it is a car. It has become a venue.

I think the beauty of working with young people is they remind you of the spirit of acting and it's just a big play.

I don't consciously seek out Australian projects. I put them on the same table as all the other scripts and I wouldn't ever do a film just because it's been shot at home.

I usually befriend the camera department very early on in the film and drive them nuts. I'm constantly bombarding them with questions and going through the stills photography. A film set is a great place for me and I love it.

I'd say I'm the opposite of someone that has the urge to stand in front of strangers and make them laugh, but the idea of getting up and telling a story and people finding it amusing always appealed to me.

I'm realistic about it. It's been quite some years since I've worked full-time in that area, so I no longer have any material that bears any relevance to my life or the audience. I'd need to take probably a year off, which I wouldn't be prepared to do, so it's a romantic ideal.