I think the beauty of working with young people is they remind you of the spirit of acting and it's just a big play.

I'm realistic about it. It's been quite some years since I've worked full-time in that area, so I no longer have any material that bears any relevance to my life or the audience. I'd need to take probably a year off, which I wouldn't be prepared to do, so it's a romantic ideal.

I think there are times when you walk onto a set you can potentially be either intimidated or distracted by what's going on around you.

I really enjoy working on small films.

The more I love the character, the harder it is to get it wrong. I have to get to a point that I can speak for them.

When I was a kid, I would do stupid things on my bike. I'd jump any ramp, I'd jump over people, I'd jump over things - always crashing, never hurting myself badly but always wanting to take physical risks.

It's always bitterly disappointing to people to see how normally one can live.