If a great comedy landed on my doorstep, I would find it hard to say no.

I tend not to read the size of the production into a script when I'm reading it. It's just something you respond to or not and I do think it's very dangerous to say it's time now to do this or it's time now to do that.

I was a fan of the television show as a kid but I wouldn't say that I've followed all the movies or anything like that. But I was a television junkie as a kid.

Having seen Justin's work on Bleak House, I knew that he'd be incredibly well prepared and interesting stylistically for this and that was definitely the case. It's very liberating for actors - and I can only speak for myself here - but he creates a very loose environment and he's a great collaborator.

The movies people don't talk about or remember after six months' time don't really matter.

I look my best when I take my helmet off after a long motorcycle ride. I have a glow and a bit of helmet hair.

Definitely the script because you want to be part of an interesting story, you want your character to be a challenge, then comes the director. But essentially it's the script first and whether it's a character that you think you can do.