The reason my kids come to the set is so I can actually see them.

There wasn't a moment where I got into cars. It wasn't a conscience decision or something that came later, it was there since I was born. I just love it.

I don't consciously seek out Australian projects. I put them on the same table as all the other scripts and I wouldn't ever do a film just because it's been shot at home.

I'm realistic about it. It's been quite some years since I've worked full-time in that area, so I no longer have any material that bears any relevance to my life or the audience. I'd need to take probably a year off, which I wouldn't be prepared to do, so it's a romantic ideal.

I do believe in reading signs if they're really obvious to you. Things happen. Someone will say something to you today in the morning and then later on that day someone will mention the same thing and then the next day someone will mention it again. There's a reason why three people have said something within twenty four hours.

I tend not to read the size of the production into a script when I'm reading it. It's just something you respond to or not and I do think it's very dangerous to say it's time now to do this or it's time now to do that.

My chosen exercise is cycling. I just love it.