Over my lifetime, the car had actually transcended the fact that it is a car. It has become a venue.

I love working with people who have had television experience because I think there's a real efficiency and methodology that comes from that background.

Over my lifetime, the car had actually transcended the fact that it is a car. It has become a venue.

It's usually very, very hard for me to pick up a script that was written and try and see myself as a part of that, especially when you're used to performing all your own material. It's OK with drama, I like being handed great material but I think with comedy it's far more personal and probably a lot harder for me to find a fit.

I don't often watch broad comedies and think, "Oh well, I could have been a part of that." It's usually the opposite. I usually watch them, enjoy them, admire them, and think, "You know, I really have nothing to contribute to that".

I am attracted to characters who think they are in control, but their situation is uncontrollable.

When I was a kid, I would do stupid things on my bike. I'd jump any ramp, I'd jump over people, I'd jump over things - always crashing, never hurting myself badly but always wanting to take physical risks.