I'm not into bikinis or other revealing clothing.

Just from my own experience, a lot of the comedians I used to work with were miserable in their actual lives. I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.

I deliberately fly in and out of LA for as small a time as humanly possible.

I think the beauty of working with young people is they remind you of the spirit of acting and it's just a big play.

I always use the analogy that when you go to a jeans store and put on a new pair of jeans, it's a pair of jeans and they feel different; so, when you're dealing with these sort of costumes it's a very big departure and really does make you feel quite different. But it's wonderful.

When I was a kid, I would do stupid things on my bike. I'd jump any ramp, I'd jump over people, I'd jump over things - always crashing, never hurting myself badly but always wanting to take physical risks.

I think love can come fairly easily and grow - but really liking the core essence of someone is a much harder thing to bottle. If you have both, you're in pretty good shape.