I'm not into bikinis or other revealing clothing.

You have to be proactive about your destiny and then realize that the other half of it is completely out of your control. I think it's fascinating.

I don't consciously seek out Australian projects. I put them on the same table as all the other scripts and I wouldn't ever do a film just because it's been shot at home.

I don't often watch broad comedies and think, "Oh well, I could have been a part of that." It's usually the opposite. I usually watch them, enjoy them, admire them, and think, "You know, I really have nothing to contribute to that".

I think quite often, being on the new set is not what you expect. The most serious film can be the most fun. The one that's supposed to be fun can be the most serious. I don't think there are any hard-and-fast rules. I just think it really depends on your director and what the general vibe is.

I always find that 90% of the performance, for me, is about what comes from inside.

I'm realistic about it. It's been quite some years since I've worked full-time in that area, so I no longer have any material that bears any relevance to my life or the audience. I'd need to take probably a year off, which I wouldn't be prepared to do, so it's a romantic ideal.