My background was producing and writing and performing in television when I started out, and I really missed that, that whole creative process that comes from sort of 'me' storytelling.

It really depends on the director. I think quite often, it's not what you expect. The most serious film can be the most fun. The one that's supposed to be fun can be the most serious. I don't think there are any hard-and-fast rules. I just think it really depends on your director and what the general vibe is.

I'm spending all my time and energy on the project at hand.

I wanted to be a mechanic. When I was 14 I wanted to quit school and go work on my car. But my dad said Son, you shouldn't do that. You should stay in school until your education is finished, and when you're done, don't make your hobby your job.

I'm a bit of a romantic.

I don't often watch broad comedies and think, "Oh well, I could have been a part of that." It's usually the opposite. I usually watch them, enjoy them, admire them, and think, "You know, I really have nothing to contribute to that".

The movies people don't talk about or remember after six months' time don't really matter.