I think there are times when you walk onto a set you can potentially be either intimidated or distracted by what's going on around you.

The more I love the character, the harder it is to get it wrong. I have to get to a point that I can speak for them.

I usually befriend the camera department very early on in the film and drive them nuts. I'm constantly bombarding them with questions and going through the stills photography. A film set is a great place for me and I love it.

The Israeli accent wasn't one that I was overly familiar with so had to learn from scratch but I was very fortunate I had the right amount of time.

I like the unknown. I like mystery.

I've worked with some of the great cinematographers. So I'm always watching what they do and I'm watching how the director composes his shots, just because I find it interesting as an actor; you're trying to help them out as well.

I always find that 90% of the performance, for me, is about what comes from inside.