I think there are times when you walk onto a set you can potentially be either intimidated or distracted by what's going on around you.

I get inhabited by a character and then you mourn it. There's a period of mourning for me, definitely.

We shot that in Morocco, and got out of the country at the beginning of July - and two months later came the attack on Twin Towers. The movie was then released in December, so that kind of atmosphere is not something that was unfamiliar to me.

I've worked with some of the great cinematographers. So I'm always watching what they do and I'm watching how the director composes his shots, just because I find it interesting as an actor; you're trying to help them out as well.

The longer you have something, the stronger the bond. That's true with people as well as things.

I deliberately fly in and out of LA for as small a time as humanly possible.

Technically speaking, you can build anything out of sand; it doesn't mean you do it.