If I want to be moved by the track, I don't want it to be sequenced, I want it to be somebody playing the guitar or piano or a horn arrangement where you can hear the breath. You can almost smell the studio while listening to the music. For me, that's what moves me emotionally, that's what I came from. I think that's always going to work best for me.

I just try and get better and better at me with every album.

I have learned from my mistakes and accept that change is important. Not all change is bad. Therefore, you have to be more mindful and accountable about the decisions you make in life. Even though I've made mistakes, I can say my journey is full of authenticity because I didn't deny my ups and downs.

I think the one thing that never goes away is soul and emotion and vulnerability and finding your strength in our vulnerability. I think when I apply all of that to music, it somehow just ends up being classic. It's the sum of a bunch of things that never go away.

I have always tried to keep an honest, age-appropriate line of communication open with my daughter,India, even during the teen years, a painful time of development when they usually shut down, and the last person they want to speak to is a parent. But India would always tell me what was going on, so I really encourage people to be as open with your children as you possibly can.

I like to go into the studio and start work on a project when it's time. I don't like to do it too early or too late.

One of the least enjoyable things for me to do is to talk about myself.