Almost all of my early art dealt with the fallout from middle-class taboos, the messy, the ambivalent emotions couples felt, the inherent racism, the sexual tensions and the unhappiness roiling below the surface of our prim suburban lives. Meanwhile I was a suburban bad boy - cynical, sarcastic, contemptuous of all authority.

Nudity is a problem for Americans. It disrupts our social exchange.

Personally, I never believe an artist saying "I do it for myself" is saying the truth, because why would you go through the trouble of making something that goes out into the world if you didn't care about somebody else seeing it? It's like the difference between those who choose "more comfortably termed entertainment" versus what people think of as the "art life," which is supposedly more monastic or spiritual. I don't believe in those distinctions.

Abstraction is an esoteric language.

Almost all of my early art dealt with the fallout from middle-class taboos, the messy, the ambivalent emotions couples felt, the inherent racism, the sexual tensions and the unhappiness roiling below the surface of our prim suburban lives. Meanwhile I was a suburban bad boy - cynical, sarcastic, contemptuous of all authority.

There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.

The saying "the business of art is different than the purpose of art" makes sense, and what are you going to do about that? You have some obligation to get the work out there, you believe in it enough that it should be out in the public, but of course it goes through a system that takes it pretty far away from the reasons you made them.