I've been pretty lucky - or slothful - in that I've never been a "career builder," I take the jobs that come along that feel right, and that's left me fairly open to all genres, really. But with "Caprica," the complex, dark and very smart script was the draw.

I think I'm wealthy. I make a good living for what I do. Well, it depends. If I'm doing an independent film I'm making no money - probably losing money. But if I'm doing a studio film, I'll make a decent wage. I can live for a year without working.

To this day I over prepare. I draw storyboards for every scene - chicken scratches so crude that they amuse and horrify the crew. I send out shot lists, act out the scenes, and search for a theme that I can relate to. It's my favorite time of the process.

Before I start directing a show, I try to spend a few weeks hanging around the set, getting to know the crew and talking to the actors about how they like to work. Who is fussy? Who is left-handed? Who wants to go home early, and who is the perfectionist?

But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.

Look, I'm an actor, I don't profess to understand much of anything

When you're in a movie, they treat you like you're four years old and give you whatever you want. On some level it's really wonderful and gratifying, but on another level it's rather disturbing. I'm sure you've spoken to movie stars and wondered: How do these people survive without babysitters?