A Mozart symphony is very much like a Pixar movie - in the sense that Pixar movies are hugely successful because they operate on several levels at the same time.

Until the eighteenth century, people believed that biblical paradise, the Garden of Eden, was a real place. It appeared on maps--located, ironically, at the confluence of the Tigris and Euphrates rivers, in what is now modern-day Iraq.

Reason cannot account for those moments in life that "bewilder the intellect yet utterly quiet the heart," as G.K. Chesterton observed.

That's why we feel so disoriented, irritated even, when these touchstones from our past are altered. We don't like it when our hometown changes, even in small ways. It's unsettling. The playground! It used to be right here, I swear. Mess with our hometown, and you're messing with our past, with who we are. Nobody likes that.

Genius is not only a what or a who, it is a where. It is grounded in a place every single time.

Haydn, Beethoven, Mozart, none of them were born in Vienna. They all moved there. It became a magnet, but what made it magnetized in the first place? There has to be a seed there. In the case of Vienna of about 1780, it was this deep-seated love of music.

Every country has its cocktail-party question. A simple one-sentence query, the answer to which unlocks a motherlode of information about the person you just met.... In Switzerland it is, Where are you from? That is all you need to know about someone.