Venice, that capital city of dream and intrigue, that double city (one above and seemingly solid, one below, wavering and reflected in the waters), which never disappoints.

The bruise on the heart which at first feels incredibly tender to the slightest touch eventually turns all the shades of the rainbow and stops aching. We forget about it. We even forget we have hearts until the next time. And then we wonder how we ever could have forgotten. We think this one is better, because, in fact, we cannot fully remember the time before.

Hate generalizes; love is particular.

Throughout much of history, women writers have capitulated to male standards, and have paid too much heed to what Virginia Woolf calls "the angel in the house." She is that little ghost who sits on one's shoulder while one writes and whispers, "Be nice, don't say anything that will embarrass the family, don't say anything your man will disapprove of ..." [ellipsis in original] The "angel in the house" castrates one's creativity because it deprives one of essential honesty, and many women writers have yet to win the freedom to be honest with themselves.

[Henry Miller] was such a scribomaniac that even when he lived in the same house as Lawrence Durrell they often exchanged letters. For most of his life, Henry wrote literally dozens of letters a day to people he could have easily engaged in conversation - and did. The writing process, in short, was essential. As it is to all real writers, writing was life and breath to him. He put out words as a tree puts out leaves.

Divorce is my generation's coming of age ceremony - a ritual scarring that makes anything that happens afterward seem bearable.

We were not human beings going through spiritual experiences; we were spiritual beings going through human experiences, in order to grow.