And even if these scenes from our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not.

It's all rot that they put in the war-news about the good humour of the troops, how they are arranging dances almost before they are out of the front-line. We don't act like that because we are in a good humour: we are in a good humour because otherwise we should go to pieces.

Never do anything complicated when something simple will serve as well. It's one of the most important secrets of living.

I am often on guard over the Russians. In the darkness one sees their forms move like stick storks, like great birds. They come close up to the wire fence and lean their faces against it. Their fingers hook round the mesh.

Do I walk? Have I feet still? I raise my eyes, I let them move round, and turn myself with them, one circle, one circle, and I stand in the midst. All is as usual. Only the Militiaman Stanislaus Katczinsky has died. Then I know nothing more.

It is just as much a matter of chance that I am still alive as that I might have been hit. In a bomb-proof dug-out I may be smashed to atoms and in the open may survive ten hour's bombardment unscratched. No soldier outlives a thousand chances. But every soldier believes in Chance and trusts his luck.

I am no longer a shuddering speck of existence, alone in the darkness;--I belong to them and they to me; we all share the same fear and the same life...I could bury my face in them, in these voices, these words that have saved me and will stand by me.