The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans painfully into silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we are still alive.

Strange how complicated we can make things just to avoid showing what we feel!

Someone said to me once that a cigarette at the right moment is better than all the ideals in the world.

It's all rot that they put in the war-news about the good humour of the troops, how they are arranging dances almost before they are out of the front-line. We don't act like that because we are in a good humour: we are in a good humour because otherwise we should go to pieces.

On the steps is a machine-gun ready for action. The square is empty; only the streets that lead into it are jammed with people. It would be madness to go farther - the machine-gun is covering the square.

The soldier is on friendlier terms than other men with his stomach and intestines. Three-quarters of his vocabulary is derived from these regions, and they give an intimate flavour to expressions of his greatest joy as well as of his deepest indignation. It is impossible to express oneself in any other way so clearly and pithily. Our families and our teachers will be shocked when we go home, but here it is the universal language.

With blinded eyes I stared at the sky, this grey, endless sky of a crazy god, who had made life and death for his amusement.