Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.
Erik LarsonI was born with the devil in me,' [Holmes] wrote. 'I could not help the fact that I was a murderer, no more than the poet can help the inspiration to sing.
Erik LarsonI started reading the big histories and the small histories, the memoirs and so forth. At some point, I found the diary of William E. Dodd.
Erik LarsonI was never concretely aware of the extent of anti-Semitism in the United States and in the upper levels of the State Department.
Erik LarsonGermans grew reluctant to stay in communal ski lodges, fearing they might talk in their sleep. They postponed surgeries because of the lip-loosening effects of anesthetic. Dreams reflected the ambient anxiety. One German dreamed that an SA man came to his home and opened the door to his oven, which then repeated every negative remark the household had made against the government.
Erik Larson