When I play live, it doesn't look like I'm interacting with the crowd that much because I'm looking at the controllers and I'm concentrating, but I really like it, for me it's easier to play live than to work in the studio, it's more natural to be on stage improvising.

When you can inspire other people to do something they couldn't do before, that's a very satisfying feeling. Sometimes I meet people and they're over the top excited to tell me how much they love Razor. There is no shortage of synthesizers out there, every week there's a new synthesizer, especially plugins - there is a lot of competition - so if you make somebody really excited about synthesizer it really feels good, so it's a source of a lot of pride and satisfaction.

The first time you have a little success, some good feedback, you start imagining having a career, or being a professional musician. But while being creative, or doing creative work, is very natural for humans, to think of that as your main occupation, that's a really important transition.

We are all social human beings, so making music is a way to contribute to society, to feel needed, to feel necessary. We need this. My driving force is the fun of doing something creative, being a valuable member of society, and getting feedback.

But for me it's very difficult to finish music on my own. It's the fear of losing the fun. It's very easy to get a sketch of something or an idea together in a very short time, to try out something new, but to get a five minute track to play out is much harder, at least for me. When I start to construct something, it often ends in frustration.

I do music mainly just for myself in the beginning, and of course it's great when I get a reaction, but I'm more interested in hearing something unusual to my ears, and that's what I'm also looking for in other people's music. It's not interesting to look for a sound that is made to make everyone on the planet move - I wanna have both, I want something danceable but very creative and unusual.

When I play live, it doesn't look like I'm interacting with the crowd that much because I'm looking at the controllers and I'm concentrating, but I really like it, for me it's easier to play live than to work in the studio, it's more natural to be on stage improvising.