Celia laughs and a curl of her hair falls across her cheek. Marco tentatively moves to brush it off her face, but before his fingers reach her, she pushes herself off the ledge, her silver gown a billowing cloud as she falls onto the pile of jewel-toned cushions.

I binge write. I think it's because I started seriously writing by participating in National Novel Writing Month, an online-based challenge to write 50,000 words in 30 days.

Is it not that bad to be trapped somewhere, then? Depending on where you're trapped?" "I suppose it depends on how much you like the place you're trapped in," Widget says. "And how much you like whoever you're stuck there with," Poppet adds, kicking his black boot with her white one.

Which tent is your favourite?" he asks. "The Ice Garden," Celia answers, without even pausing to consider. "Why is that?" Marco asks. "Because of the way it feels," she says. "It's like walking into a dream. As though it is someplace else entirely and not simply another tent.

Widge can see the past." Poppet says suddenly. "That's why his stories are so good." "The past is easier," Widget says. "It's already there." "In the stars?" Bailey asks. "No." Widget says. "On people. The past stays on you the way powdered sugar stays on fingers. Some people can get rid of it but it's still there, the events and t hings that pushed you to where you are now.

Timing is a sensitive thing.

There is a movement happening, a quiet one. A low-profile, low-resolution revolution. Comprised of writers and dreamers, of guerrilla artists and thought-ninjas. Those with something to say. They communicate through text inscribed on true public spaces, rather than blogs and forums. Choosing fewer words, even without being bound by 140 character limits. Using ink instead of pixels. Sending messages in living, breathing space. Pens scream louder into the void. Even if permanent ink is not aptly named.