The finest of pleasures are always the unexpected ones.

Everything I have done, every change I have made to that circus, every impossible feat and astounding sight, I have done for her.

There is a movement happening, a quiet one. A low-profile, low-resolution revolution. Comprised of writers and dreamers, of guerrilla artists and thought-ninjas. Those with something to say. They communicate through text inscribed on true public spaces, rather than blogs and forums. Choosing fewer words, even without being bound by 140 character limits. Using ink instead of pixels. Sending messages in living, breathing space. Pens scream louder into the void. Even if permanent ink is not aptly named.

I keep waiting for things to get back down to whelming, but they stay at overwhelming.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

Timing is a sensitive thing.

You send me all these roses. Every time I think the last bouquet has arrived, finally, another turns up. I’m running out of vases. I didn’t know roses came in so many colors. You say they’re the perfect symbols of love because they have thorns and love is pain. I say life is pain, highness. Anyone who says differently is selling something. And you don’t get it. You say you love me, but you don’t speak my language. You don’t even realize I’m an orchid girl.