He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own.

Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds.

Why haven’t you asked me how I do my tricks?” Celia asks, once they have reached the point where she is certain he is not simply being polite about the matter. “Because I do not wish to know,” he says. “I prefer to remain unenlightened, to better remain in the dark.

“Nothing's impossible,” Poppet responds. She smiles at him and jumps, her red hair trailing out behind her as she falls.

I draft quickly and then revise, a lot.

I like that "once upon a time" quality, where the telling of a tale has an elevated sense of story. There's a whimsical quality to it. Sometimes in fairy tales more things seem possible, even though often they're real world based.

Taking his time, as though he has all of it in the world, in the universe, from the days when tales meant more than they do now, but perhaps less than they will someday, he draws a breath that releases the tangled knot of words in his heart, and they fall from his lips effortlessly. "The circus arrives without warning.