It is difficult to see a situation for what it is when you are in the midst of it,” Tsukiko says. “It is too familiar. Too comfortable.

It's too late. It was too late by the time I arrived in London to turn your notebook into a dove; there were too many people already involved. Anything either of us does has an effect on everyone here, on every patron who walks through those gates. Hundreds if not thousands of people. All flies in a spiderweb that was spun when I was six years old and now I can barely move for fear of losing someone else.

I'm a firm believer that lighting affects mood, and twinkly lights on strings bring something magical to occasions ranging from concerts to weddings, though I'm fond of using them as year-round home decor. There's a reason why they're sometimes called fairy lights. When the night is right, there aren't any strings at all.

I don't have any particular rituals, I sometimes like to write in longhand when I'm searching for ideas but I do the vast majority by typing, I can't always keep up with my thoughts longhand. I'm not a coffee shop writer because I feel obliged to order more coffee and then I end up over-caffeinated.

The circus arrives without warning.

Could you do such things when you were a dancer?' Tara asks her, as Tsukiko pulls a leg up impossibly far over her head. 'I would have had a much busier social calendar if I could,' Mme. Padva replies with a shake of her head.

I draft quickly and then revise, a lot.