Just trying to get a film made which is always difficult no matter what kind of a budget you have. Not having a budget makes it even more difficult. Having nineteen days and no budget makes it extremely difficult.

Regardless of what people ultimately think about Crazy As Hell, It's not the type of film that, ten minutes after seeing it, you're only focused on what you want to eat.

So that, to me, is important that audiences are treated with an amount of respect toward their intelligence. Most Hollywood films don't respect their intelligence.

The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?

You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.

I don't see me doing $100 million films because $100 million films, the very nature of them, you need to offend as few people as possible just to make your money back.

But I try not to become preoccupied with that because with whatever direction I follow, with whatever advice I've followed or not followed, It's landed me in New York, in a very beautiful hotel, talking to people about something that I love. So I ain't that far off.