For man, maximum excitement is the confrontation of death and the skillful defiance of it by watching others fed to it as he survives transfixed with rapture.

What is the ideal for mental health, then? A lived, compelling illusion that does not lie about life, death, and reality; one honest enough to follow its own commandments: I mean, not to kill, not to take the lives of others to justify itself.

I think that taking life seriously means something such as this: that whatever man does on this planet has to be done in the lived truth of the terror of creation, of the grotesque, of the rumble of panic underneath everything. Otherwise it is false. Whatever is achieved must be achieved with the full exercise of passion, of vision, of pain, of fear, and of sorrow. How do we know, that our part of the meaning of the universe might not be a rhythm in sorrow?

If the love object is divine perfection, then one's own self is elevated by joining one's destiny to it... All our guilt, fear, and even our mortality itself can be purged in a perfect consummation with perfection itself.

We might say that both the artist and theneurotic bite off more than they can chew, but the artist spews it back out again and chews it over in an objectified way, as an ex­ternal, active, work project.

War is a sociological safety valve that cleverly diverts popular hatred for the ruling classes into a happy occasion to mutilate or kill foreign enemies.

To live is to play at the meaning of life...The upshot of this . . . is that it teaches us once and for all that childlike foolishness is the calling of mature men.