The real world is simply too terrible to admit. it tells man that he is a small trembling animal who will someday decay and die. Culture changes all of this,makes man seem important,vital to the universe. immortal in some ways

We consult astrology charts like the Babylonians, try to make our children into our own image with a firm hand like the Romans, elbow others to get a breath-quickening glimpse of the queen in her ritual procession, and confess to the priests and attend church. And we wonder why, with all this power capital drawn from so many sources, we are deeply anxious about the meaning of our lives. The reason is plain enough: none of these, nor all of them taken together, represents an integrated world conception into which we fit ourselves with pure belief and trust.

When you confuse personal love and cosmic heroism you are bound to fail in both spheres. The impossibility of the heroism undermines the love, even if it is real. This double failure is what produces the sense of utter despair that we see in modern man... Love, then, is seen a religious problem

We might say that both the artist and theneurotic bite off more than they can chew, but the artist spews it back out again and chews it over in an objectified way, as an ex­ternal, active, work project.

What man really fears is not so much extinction, but extinction with insignificance.

We might say that psychoanalysis revealed to us the complex penalties of denying the truth of man's condition, what we might call the costs of pretending not to be mad.

When we understand that man is the only animal who must create meaning, who must open a wedge into neutral nature, we already understand the essence of love. Love is the problem of an animal who must find life, create a dialogue with nature in order to experience his own being.