A lot of people forget that today. They come to the point where you walk on a set and the first thing you know you're looking at the sound man and you're saying to yourself, "How the hell can they get any sound when nobody is talking!" They get all mumbly. You can't make out what they're saying! And you're 6 feet away from them! Whereas in the old-time movies, you hear them, you understand every word they're saying, and you didn't have to put on your loudspeaker.

You got to keep your hand in your craft, otherwise you can rot at the roots and first thing you know, you got nothing.

Every time you play one old-time picture along with today's kind of work, and they throw in the computers and the guns and the this and the that and the God-almighty, it gets to be a hassle and you wonder who the hell's doing what!

I don't chart out the life histories of the people I play. If I did, I'd be in trouble. I work with my heart and my head, and naturally emotions follow.

We got together, and Bruce Willis was just a sweet animal, a sweetheart. I tell you, right down to the core he's just a real professional, a real gentleman, and I must say I'm so very happy for him that he's got a heck of a good film.

I think you have to keep going. Otherwise, you know these fellas that say, "Boy I can't wait to retire. Boy, I'm going to be 65 years old, and I'm retiring and I'm quitting and that's it." Well, two weeks later they're saying to themselves, "What the hell am I gonna do?" And first thing you know they find themselves in a wheelchair or in a rocking chair going back and forth, back and forth, and that's the end of it. And suddenly you're dead.

Three quarters of producers don't even know who I am. The other quarter think I am dead.