I like to keep at my craft. I like to keep reading scripts, whether I'm in it or not because of the fact that what would I do in a certain case? How would this happen or how would that go? I like to keep working with my mind, so when I do perform I have something to perform with, and it's not just like trying on new clothes. You're trying on a suit, but you know where the heck the pants go.

There's an awful lot to be desired. I've gone to places where people say to me, "What's your technique?" Technique? What the hell technique is there to acting? We're acting because even with my voice I'm giving what I think is what I want to say.

Fathers and mothers are just people, which means they make mistakes. Don't hold that against them. Whatever flaws they may have, they created you in a moment of love, and are among the few who knew you when. When they're gone, there won't be anyone to take their place.

Every time I step in front of a camera I feel young again. I really do. It keeps your mind active and it keeps you going.

I don't chart out the life histories of the people I play. If I did, I'd be in trouble. I work with my heart and my head, and naturally emotions follow.

I don't care whether a role is 10 minutes long or two hours. And I don't care whether my name is up there on top, either. Matter of fact, I'd rather have someone else get top billing; then if the picture bombs, he gets the blame, not me.

I'm still watching all those old-timers really going along, and I'm enjoying it so much, not just looking at the pictures, but looking at the acting. Paul Muni. Beautiful character. Edward G. Robinson. Jimmy Cagney. All those old boys. You don't find those characters anymore.