Beware of color theories. Theories in color photography are dangerous. The plain fact that there are so many of them proves my point.

To express dynamic motion through a static moment became for me limited and unsatisfactory. The basic idea was to liberate myself from this old concept and arrive at an image in which the spectator could feel the beauty of a fourth dimension, which lies much more between moments than within a moment. In music one remembers never one tone, but a melody, a theme, a movement. In dance, never a moment, but again the beauty of a movement in time and space.

Beware of too much taste as it leads to sterility.

My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right.

The camera only facilitates the taking. The photographer must do the giving in order to transform and transcend ordinary reality. The problem is to transform without deforming. He must gain intensity in form and content by bringing a subjective order into an objective chaos.

There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.

Learn by doing or even better unlearn by doing. The opposite of what you learned.