About 20 years ago, I had a dream in which somebody sang one of the most beautiful melodies I'd ever heard, and gave it to me, and warned me not to forget it. Of course, I did forget it by the time I had got out of bed. Now as precaution, my phone is overloaded with half sung melodies.

It's all gravy when everything's great, but if there comes a point where there's a problem, as with any kind of relationship you need to fix it. There's always going to be something, and it could be the smallest detail you'd never have expected or it could be something substantial, but it's how you deal with things.

I don't know what genre I've fallen into, I don't know where it is, and that's really exciting.

I think the two sides to me are the same as two sides to anybody. In relation to the link between doing the label and being a DJ, it goes back to the thing of necessity. It's the only way I feel I can do something creative that's going to satisfy me.

I love the idea that the person that signs you makes the record, because you get that sense of guidance, of being there at that close point.

When someone walks into my room and goes 'wow' at my record collection, at that moment I could actually hate music and just want to go sit in the garden.

About 20 years ago, I had a dream in which somebody sang one of the most beautiful melodies I'd ever heard, and gave it to me, and warned me not to forget it. Of course, I did forget it by the time I had got out of bed. Now as precaution, my phone is overloaded with half sung melodies.