I've had people turn me down. Not all that many, but certainly it happens.

[Elsa Dorfman]was well known. Certainly in the Boston area, she's well known as a portrait photographer. My wife always wanted to meet her and then there was some benefit where she was taking pictures.

Those who cannot condemn the past repeat it in order to remember it.

I've always wondered where explanations end and excuses begin.

I've done interviews in one day that went on for fifteen, sixteen hours. And at a certain point, the control over what they're saying breaks down; it becomes different. It becomes really powerful, and for me, real. It becomes out of control.

I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.

I've been involved in doing advertising for various elections and I just couldn't see doing anti-Trump advertising in this election. My line has been, "How could you do anything worse that what he does himself?".