All alone - shorn of context, without captions - a photograph is neither true nor false.... For truth, properly considered, is about the relationship between language and the world, not about photographs and the world.

I actually wanted to publish [ interview with Donald Trump about Citizen Kane] in the New York Times, but the circumstances under which I did that movie made me vulnerable to a lawsuit and at this point in my career, I don't want to go there. But it's amazing.

A lot of the distinctions that we make between drama and documentary are spurious. We're deeply confused about these issues. About the difference between the two, about where documentary ends and drama begins.

I used to work as a private detective years and years ago. And my boss gave me this one very simple piece of advice about trying to figure out who to interview first in any investigation. His recommendation: Always pick the people who were fired. Pick the people who are pissed off.

Basically, "Making a Murderer" chronicles a set of crimes committed in Wisconsin: Manitowoc, Wisconsin. The first crime is a miscarriage of justice. Steven Avery is convicted and sentenced to a very, very long prison sentence for the assault on a woman. And it comes to light through DNA evidence that he was not the assailant.

I believe we have two ideas about how movies are made in our heads. Idealizations. Platonic ideals. One of them is of a movie that is completely uncontrolled, and another is a movie that is completely controlled. The auteur theory vs. cinéma vérité.

Truth and falsity is something that concerns language, it's a property of language.