Those who cannot remember the past are condemned to repeat it without a sense of ironic futility.
My films are as much concerned with truth as anything in vérité. Maybe more so.
I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.
It's really hard to know why certain artists become famous and others don't.
Film is lies at twenty-four frames a second.
The first Polaroid ever took of someone in my family was my son when he was about four years old.