It's so hard for every young person, trying to figure out the adult you want to be.

The idea that a film is created in the editing room - it's only a certain kind of movie that's made in the editing room and it's not one that I really want to see.

If you don't risk doing something foolish, you'll never do anything special.

I take pleasure in the little things. Double cheeseburgers, those are good, the sky ten minutes before it rains,the moment your laugh turns into a cackle. And I sit here, and smoke my Camel straights, and I ride my own melt.

It's always a unique challenge when you're working with somebody where English is their second language.

Have this Chet Baker movie coming out and in that situation, I went down the rabbit hole studying Chet Baker and being obsessed with the period and the music and the relationships and the dynamic, and everything, drug addiction. There was so much I wanted to get at to kind of get at the truth. With Regression, I was certainly in Alejandro's [Amenabar] hands.

I auditioned for Robert Redford once and I was so starstruck I couldn't even speak. I had a mic wire at a screen test clipped to me and then I got kind of nervous and I paced in a circle and then took a step and tripped and fell on my face. You just have to forgive yourself and keep going on.