One of the things that separates a good genre movie from a bad genre movie, I always think, ironically, is when you care about the people. The dime a dozen ones are where you don't have any awareness of the character.

And the best films feel like a fist punching you in the solar plexus and all elements of the filmmaking process - the acting, the design, the cinematography, the music, is all working to one end.

Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.

If you study the history of mankind, it seems to be a history of violence. Certainly the history of art, whether you look at paintings or movies or plays or whatever, is just a litany of murder and death.

I love working on scripts. I love coming up with ideas about what people would dress like or talk like. I love all that.

When you do 'Before Sunset,' you know while it's a limited audience, there was a very small group of people that love 'Before Sunrise.' You feel a certain pressure to make sure that you uphold a level of quality that has been a bar. You set a bar and you have to at least match it.

When you start becoming really successful, the demons start to tempt you - the demons of vanity and self importance, drug abuse, the feelings of fraudulence. But, it's also a thrill. That's what I found weird.