Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.

I have a daughter and the thing I wish for her is not love, fame, money or anything like that. It's just one great best friend. You know, if you have somebody that has your back, you're gonna be all right.

I really did Regression to work with Alejandro [Amenabar]. I found him very interesting. His movie, The Others, is one of the better scary movies of the last period of time.

I can't tell you how many times in the '90s I'd meet somebody, we'd be having a nice time, and they'd sigh and go, 'This is exactly like Before Sunrise.' And I'd have to get up and leave.

The drones are really interesting - how have the troops withdrawn from Afghanistan? Because we've upped the drone strikes and most of the country doesn't even really know what that means or who we're killing or... it's such a new weapon that we don't know what the long term impacts of that kind of military action is going to be.

The more kind of head trippy sci-fi. I always like that. I was a big 'Twilight Zone' freak.

The idea that a film is created in the editing room - it's only a certain kind of movie that's made in the editing room and it's not one that I really want to see.