Often you see a famous actor who says they produced something, when all they did was claim to have an idea at a dinner party and make three phone calls.

Set designers, costume designers, actors, writers, music, that's what is beautiful.

You can't keep wanting to be 20 years old. Everybody knows that, but what's in the next room?

I meet a lot of young people that want to go into acting because they think of what it will do for them. If that's the case, it can be a very, very painful profession. But if the kids want to do acting because they love it, and they want to give to it, then they can have a great life. It's really about as simple as how you look at it.

When you do 'Before Sunset,' you know while it's a limited audience, there was a very small group of people that love 'Before Sunrise.' You feel a certain pressure to make sure that you uphold a level of quality that has been a bar. You set a bar and you have to at least match it.

It's certainly an interesting moment to try to talk about, 'cause you could make a great show about the police force right now, with all that's happening in the news and Ferguson and all of it.

I really did Regression to work with Alejandro [Amenabar]. I found him very interesting. His movie, The Others, is one of the better scary movies of the last period of time.