Often you see a famous actor who says they produced something, when all they did was claim to have an idea at a dinner party and make three phone calls.

One of the things that separates a good genre movie from a bad genre movie, I always think, ironically, is when you care about the people. The dime a dozen ones are where you don't have any awareness of the character.

I'm magically delicious.

It's so hard for every young person, trying to figure out the adult you want to be.

I really did Regression to work with Alejandro [Amenabar]. I found him very interesting. His movie, The Others, is one of the better scary movies of the last period of time.

I'd really rather that nobody had a gun, and then nobody would have to worry about it. That would be more my theory. In America, there's this knee-jerk response that more walls and more guns make people safer, and I'm entirely suspect of that way of thinking.

You can't keep wanting to be 20 years old. Everybody knows that, but what's in the next room?