It's always a unique challenge when you're working with somebody where English is their second language.

Set designers, costume designers, actors, writers, music, that's what is beautiful.

My job - and it's really true - is that it's constantly evolving and changing. When I was doing the Chet Baker movie I was obsessed with playing the trumpet, and to my absolute shock I haven't picked the trumpet up since we wrapped. It was so much work. I thought I was going to keep playing the rest of my life, 'cause it was fun, it's just a lot of work. And it's a really unique job that exposes you to a lot.

Its difficult to do a genre film well, and it doesnt matter if youre talking vampire movies or Dawn of the Dead or The Thing or Escape From New York. Those kind of movies, they understand what the old-school B-movie is supposed to be, they get the throwback of it.

There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It’s always heartbreaking.

How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?

I'm a huge Luc Besson fan. The Fifth Element, I just loved that movie. Luc cast me to play a small part in it, and so I did, because I love all his movies actually - The Big Blue, La Femme Nikita, Léon: The Professional. His movies are so wonderful. It's just fun to be in it and for it to be a sci-fi movie.